Capturing Commercial Drone Photography for Cambodain Zulite Stone
Panmin had a been in touch about about a corporate video and requested additional drone photographs for use on their website, print materials and at trade fairs.
I had recently bought a DJI Air 3 as I’d had a job that required indoor drone videography and photography and I’d hired a DJI Mini 3 Pro. With improved vision sensors and technology, the Air 3 was the ideal tool for the job.
The improved battery life enabled me to fly for extended periods while capturing all aspects of quartz processing.
While the 28mm lens was great at showing the scale of the factory, the new 70mm lens allowed me to punch in and use the drone for dolly shots to get in close and to highlight the key details of the process.
With the combination of sensor size, sensoring technology and dual lenses the Air 3 was the ideal tool for the job.
I also managed to capture a series of exteriors showing both the facitliy and the industrial park.
The client were happy with the result and have used the photos extensively on their website
You can see more examples of my drone photography here and here.
Corporate Videography Shoot for Cambodia Zulite Stone
I was contacted through my website to make a corporate video for Cambodia Zulite Stone Co. LTD. Their parent company was attending a trade show in New York, so they needed a corporate videographer to deliver a video they could show at the trade show to showcase the quartz products they make in their factory.
Despite the language barrier, the process was easy. They sent sample videos they’d shot and we communicated about the key aspects of the product and the key aspects of the process they wanted included.
I then travelled to their location and spent the afternoon recceing the factory before shooting the next morning.
A key aspect of what they wanted to show was the scale and capacity of their operation. Due to its omnidirectional vision system and a three-dimensional infrared sensing system my newly acquired DJI Air 3 was the ideal tool for flying inside their factory.
I also shot close ups on tripod to highlight the details and precision of the key parts of the process.
The edit was a smooth process. I quickly turned around 1st and 2nd edits and after receiving feedback, I made some final tweaks so the video was ready to present at the exhibition in New York.
The management at the factory were keen to show the favourable working conditions they’d created for their staff. The staff are given 3 square meals a day and are provided with accommodation as part of their contract. This allows them to save more money.
You can see more examples of my corporate videos here and here.
Collaborating with the EU as a videographer on a range of projects
It was great to collaborate Landell Mills and the EU as a videographer on a range of projects including Pedal for the Planet, Erasmus + and Radiation Monitoring.
Pedal for the Planet
Pedal for the Planet: It is Time to Change Gears on Climate is an EU intitiative to promote cycling in Phnom Penh and the rest of Cambodia as a whole.
As a keen cyclist myself and someone who makes an effort to live in a sustainable way, it was great work as a videographer on this project.
Having spent COVID in Phnom Penh, it was great to see more and more locals taking up cycling.
Hopefully this kind of event will guarantee that this trend continues and the perception of cycling evolves from being seen as a form of transport for people who can’t afford a motorbike or car to being seen as a green, healthy leisure activity.
Erasmus + in Cambodia
The Erasmus + programme is close to my heart as 2 of my siblings are alumni. It was great to work as a videographer on a couple of videos highlighting the experiences lecturers and civil servants who have benefitted from the scheme and students who want to study in Europe.
It’s a great opportunity for lecturers and students to study and live in Europe. Hopefully this will be an enriching experience both personally and professionally and when people return, they’ll be able to share their experience and implement some of the things they’ve learned to develop the education system here.
Radiation Monitoring
The production of the video was a collaboration between Pixel Peers, MME and myself. MME have their own videography team and supplied footage of the radiation monitoring early warning systems being installed in a number of locations across Cambodia.
Pixel Peers then provided the motion graphics and I edited the video.
There were 2 iterations of the video. One was shown at the launch of the project. I then covered the inauguration as a videographer and cut in images and speeches to produce a second version to be distributed online.
Working with MME was a pleasure. It’s a dynamic, forward-thinking ministry who are doing some great work.
You can see more examples of my work for the EU here and more examples of my documentary work here.
On Location in Stung Treng with UNICEF – NGO filmmaker on a case study
While filming an overview video for Generation Future, part of the assignment was to work as an NGO filmmaker to focus on Panha, a girl who joined the Code for Girls programme to work as a student volunteer.
Code for Girls is a project for girls to to learn about coding and engineering, which are both STEM (science, technology, engineering, and mathematics) subjects.
It’s important to encourage girls to participate in STEM subjects as they’re often seen as subjects more suited to boys.
‘Most of the time, girls’ parents don’t let them study STEM subjects,’ says Panha.
‘After completing high school, I’d like to go to university. I’d like to study IT or engineering,’ she adds.
Panha has been interested in robotics since she was young and Code for Girls is a great opportunity for her to learn more.
‘I’ve been interested in this since I was 10. I found out about it on YouTube. There are so many things to watch,’ she says.
‘It’s predominantly men who make robots, but I think women can make them as well. If male students can study IT, why can't girls?’ she adds.
This has been a great opportunity to learn new skills.
‘The most interesting part was drawing a 3D model on the computer. After creating our designs, we got to print them on a 3D printer. I’m really happy, because I’ve never done anything like this before,’ she say.
Over the coming months, Panha will work with her project leaders and peers to train other students as part of the project.
‘I’d like to be able to provide training for girls like me. to improve their skillset and for them to
understand how to put what I teach into practice,’ she says.
‘I would like to encourage all girls to be confident in studying STEM subjects. They can be role models for the next generation of girls to look up to,’ she adds.
I look forward to catching up with Panha in a few months’ time, when we’ll be making a follow up video to see the progress she’s made and how she’s managed to train and empower other girls in her community.
You can read more about the other Generation Future video I made here.
Don’t hesitate to get in touch if you need an NGO filmmaker to work on any upcoming projects
On Location - Taking Commercial Drone Interior and Exterior Photos for Endo Lighting
During pre-production on a corporate video for Endo Lighting to show their lighting installation at AEON 3, the client requested some drone photography to use on their website.
While Simon Toffanello was doing the photography for them, it made sense for me to take the drone photographs as I would be operating a drone for video I was shooting.
Endo Lighting requested a series of exterior and interior drone shots to show the building and their lighting installation.
The exterior drone photographs were taken with a Mavic 2 Pro. They were taken at dusk so the photo gives the impression of it being dark will retaining detail in the background and reducing the noise due to there still being a bit of ambient light.
Due to the height restriction on the Mavic 2 Pro, I hired a Mini 3 Pro, which is a lighter drone that is better designed to fly indoors.
You can see the corporate corporate video I made for them here and check out other examples of my drone photography here. As predominantly a videographer, I mainly use the drone to shoot video and take photographs as an afterthought. It would be great to make more of an effort to explore the creative potential of drone photography.